Info Packet
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The Real James Bond...Was Dominican reviewed by Travis McCallum in The Column, 2019
The Real James Bond...Was Dominican reviewed by Teresa Marrero in TheatreJones, 2019
DNAWORKS' programming lauded by Cara Mia Theatre's Ariana Cook for its mindfulness of mixed-identity experiences in American Theatre, 2019 HERE
Christopher Rivas answer questions about DNAWORKS' production of The Real James Bond Was Dominican in TheatreJones, 2019
Hollow Roots by DNAWORKS' Ensemble Member Christina Anderson reviewed by Janice L. Franklin in TheatreJones, 2018
Should Fort Worth’s Klan hall be saved? This group has 180 days to prove it should. Read the whole story HERE
DNAWORKS continues its efforts to transform Fort Worth's former KKK building into an international center for performing arts and community healing. Check out the write ups in The Christian Science Monitor HERE and D Magazine HERE.
Adam McKinney featured in “Veterans dance through trauma” by Breanna West in The Wisconsin Jewish Chronicle, 2018
Adam McKinney featured in “Embodying the Conversation on Arts and Social Justice” by Silva Laukannen in Dancecast, 2018
Adam McKinney’s work on dance and social justice featured in “Diversity in Movement takes a step into social justice issues“ by Shane Battis in TCU360, 2017
DNAWORKS’ “The Borders Project” featured in “Beyond the Border” by Emily Wiederholdt in Stance on Dance, 2015